The guest list was a who’s who of arts patrons and society fixtures, including Meredith and Ben Marshall, Zane and Brady Carruth, Margaret Alkek Williams, Lynn Wyatt, Susan Sarofim, Franci Neely, Ron Franklin and Janet Gurwitch, Kristina and Paul Somerville, Sarahbeth and Pierce Bush, Brad and Joanna Marks, Robert Sakowitz, Molly and Jim Crownover, Cynthia and Tony Petrello, Anne and Albert Chao, Beth Madison, Betty and Jess Tutor, Isabel and Danny David, Kristy and Chris Bradshaw, Yvonne and Rufus Cormier, Beth Wolff, Cynthia Wolff and Mayor Sylvester Turner. Per its custom, the opera ball gave way to raucous “Encore After Party,” at which the Celebrity All Stars band rocked the dance floor until DJ Little Martin took over. For dessert: little Aladdin’s lamps made of chocolate and with dark chocolate mousse. HGO star and artistic adviser Ana María Martinez sang “La Vie en Rose” before a dinner of Harissa-marinated scallops and rack of lamb flavored with cinnamon and dried fruits. North Aftrican music by Moodafaruka, Morocco-inspired cocktails and hors d’oeuvres, fortune tellers, henna artists, fortune tellers and belly dancers all factored into the experience, as did stunning décor including flickering lanterns and largescale arrangements of multicolor roses. “The Finks and Dastoor, along with Music and Artistic Director Patrick Summers, welcomed more than 470 guests with a red-carpet arrival on Fish Plaza featuring traditional Moroccan tea service, rugs by Abraham’s Rugs and a live camel photo op.”įor their part, the Finks made their entrance on a gilded Amariya, which is one of those carriages hoisted on the shoulders of footmen and typically reserved for the bride at Moroccan weddings. “The dreamy and colorful Moroccan adventure chaired by Jennifer and Benjamin Fink was also the first Opera Ball with new CEO and General Director Khori Dastoor,” noted a rep for gala organizers. The theme itself was initially planned in as “Une Nuit à Marrakesh” in 2020 and recast to reflect the long journey to the ball’s festive return. And, for many, the splendor of its colorful “Le Voyage à Marrakech” theme was worth the long wait.
It was the event’s first time in the theater center since Hurricane Harvey and then the Covid pandemic displaced it from its longtime home. SOMETIMES CALLED THE mother of all galas, the always spectacular Houston Grand Opera Ball returned to the Wortham Center foyer with a roar, with a haul of $1.25 million and a rousing party.
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